Heavy Weather

I?ve been doing a lot of reading about shipwrecks and lifesaving in preparation to my Graveyard of the Atlantic exhibition this April. This title has become an inspiration to me. The North Devon coast has approximately 10 shipwrecks every mile but most of them don?t stay around for too long. One of the oldest still visible is the Sally of Bristol wrecked in 1769 on the beach at Northam Burrows. But you don?t have to photograph a shipwreck to evoke the Graveyard of the Atlantic. So I?ve been out in all weathers (except sunny and fine) trying to show why this coast got its name.
The photograph above was made in the early morning light, high tide in a gale at Hartland Point in December. The MS Johanna, which was wrecked here 400 metres from the lighthouse (which is behind me) can be seen in the far distance. More details about this image can be found on my blog post MS Johanna. This is not the kind of weather you would want to be out at sea and it is easy to imagine how easily a ship could go down especially in the days before modern navigation; once a sail has been torn or a rudder broken you?re totally at the mercy of the sea. 
Heavy Weather, a new set of images to supplement my cave photographs, will be at Schooners Cafe in Appledore from Saturday 11th February.
I have a new series of photographic workshops starting with an Introduction to Digital Photography on Saturday February 11th. The complete list is as follows:
Photographic Workshops in Devon, Winter 2012
Introduction to digital photography 10am – 5pm – ?50

A practical days workshop learning to gain control over your camera, shutter speeds, aperture, ISO, flash etc, setting it up for optimum quality under any given lighting, and making better pictures through composition. Numbers limited to a hand-full.

Saturday 11th February in Bideford
Saturday 25th February in Barnstaple
Thursday 1st March in South Molton
Thursday 8th March in Bideford

Half Day Intro to digital photography 2.00pm – 4.30pm – ?25

A ‘sit around the table’ workshop to get to know your camera better. You’ll learn about shutter speeds, aperture, ISO, flash and setting your camera up for optimum quality.

Wednesday 22nd February in Bideford
Wednesday 14th March in Barnstaple
Painting with Light 6pm – 9.00pm – ?25

An evening workshop celebrating the dark nights of the Winter. You’ll learn how to make ‘long exposure’ photographs using coloured lights, flames, sparklers and hand-held flash.

Wednesday 7th March – Northam Burrows (Westward Ho!)
Photographing your own Artwork 10am – 5pm – ?50

I have a wealth of knowledge and experience of photographing 2D artwork, jewellery and ceramics and I’m willing to pass this on to artists eager to improve their own image making camera skills. Although this workshop is for a small group (max 5) I also offer it on a 1:1 basis for ? a day for the same price.

Wednesday 15th February in Bideford
Introduction to Photoshop 10am ? 5pm – ?50

Opening an image file and adjusting levels, contrast, brightness and colour balance. Rotating, resizing and cropping an image. Placing an image or images into a new file. Using layers and history. Participants will need to be computer literate i.e. use a computer on regular basis and understand the basic controls. Small group (max 4).

Thursday 16th February in Bideford
Intermediate Photoshop 10am ? 5pm – ?50

Using tools, masks and filters to manipulate your image. Tools used in this session are: marquee, move, lasso, magic wand, eraser, paint bucket, eyedropper, hand and zoom. Making a contact sheet and using batch production. Adding type to your image. Participants will need to be computer literate i.e. use a computer on regular basis and understand the basic controls. Small group (max 4).

Thursday 15th March in Bideford

More Workshops in the Summer:

1 day Workshop: Learning to Look – Theory and Practice

10 week Evening Class: Introduction to Digital Photography

Communication with Bats

I was making the most of the spring tide on Friday 18th September and exploring a bit of the North Devon coast I hadn?t accessed before, via Mouth Mill, on the Hartland Coast. At low tide, midday, I found a shallow but very high cave under Windbury Head with 2 grand pillars of rock holding the cliff up at it?s entrance. The shallowness of the cavern meant I couldn?t photograph it from the back as I usually would so I snuggled up to the wall on the left-hand-side and started to make my constructed image, photographing the boulders at my feet first and moving along the floor and up the right-hand wall with my camera. As my Olympus E3 focuses it emits a high pitched sound; this sound attracted the bats, I?m assuming, as I made no sound and used no flash. The bats, (I?m rubbish at identifying them, bigger than those seen on the Tarka Trail South of Bideford, you could clearly see their ears!) 2 of them flew in formation around the inside of the cave mapping it, then back to the top, out-of-sight, then after seconds, came out again and flew lower down until they were within a few feet of me; then they were gone taking exactly the same flight path back to their roost. I had stayed still all of this time, happy to watch them, and didn?t take anymore pictures whilst they were flying; I was shooting at 1/10 of a second anyway so I couldn?t have photographed them. It seemed as though as soon as they had discovered that it wasn?t another bat making the noise they were happy to go back to bed. I finished taking photographs and didn?t see them again.

It?s unusual to find bats in these sea caves because at high tide the sea is well inside of them and the surf is pounding up the sides and back. In fact, it?s rare to find any life in these places because the environment at high tide is so violent, only the most stubborn limpet will cling onto these walls. However, in this cave, the ceiling was so high, a good 30 feet, and with plenty of jagged crevices to make a home for a bat. I?ve only found bats in one other cave in the cliffs here, and that one was always dry.

I bring these things on myself!

After writing about how things change I was reminded of another current image, which will be in the Ruby Expo, which has changed – through my own mistake!

Atlantic Aperture (collapsed) was shown originally at Trelawney Garden Centre with Atlantic Aperture, shown one super-imposed on the other above. Following is the text that accompanied the two images:

We are living on the frontier of climate change here in North Devon. Our coast is living proof of historical changes through different heights of sea level and the comings and goings of Ice Ages. As the speed of change increases, so does the evidence. In the three years I?ve been photographing the North Devon coast I?ve seen caves disappear as their roofs have collapsed into the sea. This image is a combination of two that are in this exhibition; the original ?Atlantic Aperture? was shot in the spring of 2006 and the other was the same place one year later. This was an eight metre high tunnel, a passage from a small sheltered bay to the roar of the Atlantic, situated just west of Hartland Point and only accessible at low tide. Now, buried under a huge landslip, it?s only entrance is from the sea.

Anyway, I digress. I went to print Atlantic Aperture (collapsed) for the Ruby Expo, as they had accepted the image I had sent them as above, however, search as I might through my computer, external drives, back-up DVDs etc I could not find the image. So I resigned to making it again from scratch. Bizarrely after half a day of concerted Photoshop effort it turned out different, I believe better, than it was.

I?m not sure if there is a moral here. It ought to be ?keep your workspace clean and tidy?, ?file everything away in a methodical fashion?, ?always make a back-up of your files?. But my loss is also my gain as the new construction from the original frames is better than it had been. Perhaps the moral should be all of the above plus ?occasionally re-work your images?!

New version of Atlantic Aperture (collapsed), Hartland, North Devon 2009