I’ve been keeping myself busy during coronavirus lockdown, learning to make 3D (three dimensional) models. It’s an outcome of Photogrammetry, the science of making measurements from photographs. The input is the photographs, and the output could be a map, a drawing, a measurement, or in this case a 3D model of a real object or scene. The YouTube videos demonstrating how to do this usually use something like a stone to photograph I make 3D. I decided to set myself a far more complicated challenge which was photographing the Monterey Cypress seedpods In the interactive box below, go ahead and make it full screen, you’ll get a better idea of what it looks like.
This seemed like a natural progression from my constructed images, where I was making photographs of from up to 200 separate photographs, and from my work for ArtUK photographing sculpture in various museums and other cultural institutions within the South West region. This 3D Image is made from 400 separate photographs all taken of The Monterey Cypress seedpods in my studio using flash lighting and an automated turntable. The images were then constructed together using Agisoft Metashape software, which took days but hopefully this will get quicker!
My model is held on a platform website called Sketchfab, the equivalent of YouTube for 3D models. Is the largest international platform for cultural heritage 3D online, and it is used by institutions like the British Museum and the Science Museum etc.
I am expecting that the single image type of documentation that I’ve been used to photographing museum objects will become a thing of the past as 3D models take their place. They can give a virtual viewer a far greater understanding of what an object is actually is like, and there is the ability to zoom in and move around an object just like have you would want to in a physical museum.
I’m looking forward to making a 3D model of have something made of clay next. I might try a complete pot or maybe just a sherd or fragment from Bideford’s rich Elizabethan past.
Monterey Cypress seedpods still image
I’ve recently been photographing for ArtUK again, this time in South Devon and Bristol. Firstly, after a treacherous drive on snow packed icy roads over Dartmoor to National Trust’s Buckland Abbey. Here my trusty two wheeled cart, over-loaded with studio gear, was no match to the flights of stairs up to the top floor where the sculpture was located.
The biggest challenge here at Buckland Abbey was photographing the huge plaster sculpture of Sir Francis Drake. The sculpture had been discovered in 1999, hidden in undergrowth in the woods on Haldon Hill in Devon by a member of the public. The image top left is from the National Trust website. Towering over 3 metres high and set even higher on a plinth; it was displayed at the top of a steep staircase. I would normally want to position my camera at a height mid-way between the top and bottom of a sculpture, or a little higher than the centre when the top has important features, but this was impossible with Drake without moving him or making a heavily distorted image with an ultrawide lens from close up.
Lighting and background was also an issue: I would normally use studio flash and reflectors to submerge the sculpture in soft light to reveal its features against a plain grey background. But here the shear scale of Drake (the original plaster model for the bronze statue of Sir Francis Drake at Tavistock) and the limited time I was allotted meant a compromise had to be met. Controlled lighting was achieved by balancing flash with ambient daylight and making a long shutter exposure. Care had to be taken to prevent overexposure due to the slow shutter speed by positioning my backdrop in front of a window and using stiff foam reflectors to disguise bright highlights elsewhere. With no plain background it was important to keep the images as simple as possible by removing any ‘clutter’ visually through my camera angle and position, and, in the example of the front view, by keeping some of the straight lines parallel to the camera frame.